Niger 2004
OPERATION WORLD HARMONY
by Eileen Cozzaglio
I have many blessings in life, but music ranks high above
them all. In fourth grade, when I signed up for violin lessons, little did
I know that this squeaky piece of wood would one day allow me to speak a
"universal language," become a part of Project Troubador, travel to the corners
of the earth, and encounter people whom I'd never meet or otherwise know.
I could write many paragraphs about the courage and wisdom
of the people of Benin and Cameroon, the two countries in West Africa I traveled
to with Project Troubador in 200. I could write pages about the amazing work
we did and how profoundly these experiences have changed MY life... spiritually,
intellectually... in every way. However, I have an agenda here.
In October of 2002 I had the honor of performing at The
Millennium Peace Summit for Women Religious and Spiritual leaders at The
United Nations in Geneva, Switzerland. There were Buddhist nuns, Hindu swamis,
indigenous women from New Zealand, West African women, Jewish women, Christian
women, and Muslim women from Palestine, Afghanistan, and Northern Africa.
Each woman was so beautiful and seemingly so different from the other! Some
were quietly passionate, others loud and outrageously articulate. I remember
thinking " what in God's name am I doing here with all of these inspiring
and wise women? " I approached our upcoming performance with apprehension,
humbled at the idea of having anything significant to offer to such a distinguished
audience. As we nervously began the song "Amazing Grace," I looked out at
the audience and saw a beautiful collage of Pakistanis, Cambodians, Palestinians,
Israelis, Germans, Saudi Arabians, Indians, Africans, Iranians, Syrians,
and Americans - all singing TOGETHER! In that single moment, I knew... music
CAN build bridges across cultures... it CAN bring peace! I can see it with
my own eyes! I returned from the Summit with renewed hope; committed to continuing
my involvement with Project Troubador, and to devoting every fiber of my
being to sharing this miraculous truth.
Which brings me to Operation World Harmony. In January
2004, under Project Troubador’s auspices, two other American musicians and
I will travel to Niger, West Africa. There we will work closely with the
Niger chapter of Centre Afrika Obota, (CAO), a West African non profit organization
devoted to development and peace. During our two week stay, CAO will introduce
us to Nigerien musicians. We will rehearse together for the first two days
and develop a music program that draws upon both Nigerien and American styles.
Over the next two weeks, we will present this program in schools and villages
around Niger, spending a full day in each location, working with young musicians
and connecting with people on an individual basis.
Why Niger? The population of Niger is between 80 and 90%
Muslim. Islam is a vital part of their daily lives. It seems clear that the
United States is finding it difficult to convince the Muslim world that the
American attacks on Afghanistan and the invasion of Iraq are not part of
a great holy war against Islam and the Muslim people. These affronts were
recently aggravated when Niger gained global attention as being Sadam Hussein’s
supposed uranium connection. As measured by the United Nations Development
Program, Niger is the second poorest country in the world, ahead only of
war-ravaged Sierra Leone and well behind countries such as Afghanistan. Niger
is located in a very tough global neighborhood. Four of the seven states
on its borders, Algeria, Libya, Chad and Nigeria, are countries well known
for their anti-western sentiments.
We will bring no social agenda or moral judgments. Our
mission is to build relationship, and if in our travels we touch just one
person who might be vulnerable to the advances of groups that promote war
and violence... if we give just one person the opportunity to make an informed
decision based on personal experience, then it will be worth every penny,
every mile, every hardship.
Eileen Cozzaglio is a violinist and a fiddler who teaches
violin in Western Massachusettes. In addition to performing solo and in orchestral
settings, she plays and sings with Louise in The Ravin’ Mavens.