OUTSIDE LOOKING IN
By Jennifer Dowley
One of the more interesting movements
in the arts in America over the last 20 years has been the deep commitment
among some artists to move out of the studio/off the stage and into the
community for the inspiration andimplementation of their work. This artwork
is not just about the artist's vision but about what emerges between the
artist and the participants. For the last 24 years quietly and unseen
because for the most part, they work overseas, Eliot Osborn and Louise Lindenmeyr
have been guiding Project Troubador along just such a course. Their work
is less about the events they stage and more about what results from these
engagements. Eliot says Project Troubadour is about allowing deep connections
to be made between even the most unlikely people because music and art¹s
voice moves so easily beyond language and culture. Louise describes their
work as animating what is already being done in the villages - that the performances
are a catalyst to help the villagers say and do what they need to
that the mask making and playwriting workshops provide an affirmation of
how they can use what is already theirs.
I have always felt that artists are the ultimate humanists
and humanitarians. Their work explores and supports what it means to be
human, making it possible for all of us to join them in an open inquiry
of our world, and to connect to a deeper terrain of human consciousness.
Project Troubador is something important proof that in little ways,
these explorations can have a big impact. They are interested in what
connects us all as human beings, and their work seeks to get to that common
touchstone. It is no surprise that the U. S. State Department sends them
abroad, and I can say with complete equanimity that the world is a better
place because of Project Troubador's and that as an American citizen, I am
grateful for theirdiplomacy.
Jennifer Dowley is currently President of Berkshire
Taconic Community Foundation. Prior to moving to the Berkshires, she
was Director of Museums and Visual Arts at the National Endowment for the
Arts, in Washington, D.C.
INSIDE LOOKING OUT
By nature, man has shown himself
to be a slow learner. Only when wounded and cornered does he seem to be able
to make choices that transcend his own interests in favor of those that
encompass a more universal view. So perhaps by necessity, much of what propels
us toward enlightenment and the common good finds its origin in our darkest
hours. Happily, there is a silver lining. Once united by horror and grief,
mankind has shown heartening glimpses of a broader thought process that holds
the promise of a world we would all prefer to live in.
As bleak a moment in American history as 9/11 will forever
be, it is also an opportunity. With all we have suffered and endured, we
would be wise to do something special with it... something that transcends
our own interests in favor of everyone's... something that will greatly improve
our chances of never experiencing these depths of despair again. To attain
this higher ground, we need to do the simplest of all things... change...
and we need to do it before we create a whole new legion of people who dislike
us for doing to them what was done to us. In place of that course of action,
we need to see that building relationship is wiser, safer, and more affordable
than using our might to get both our allies and our enemies to cleave to
our will. In so doing, our humanity will surface, and only our humanity is
capable of inspiring the trust and understanding which we are so anxious
to experience.
Regardless of what avenue our elected officials choose
for our nation, we are asking you to help Project Troubador continue to
pursue the one we have been constructing for twenty-four years. The eyes
of the world are upon us, straining to see what we as people will choose
to do now. Read on and surmise for yourself what we are up to, but realize
how much more effective we can be with you than we will be without you. Help
us embrace the opportunity that this moment presents. Join us in doing something
with it.
Eliot Osborn
Louise Lindenmeyr
Artistic Director
Executive Director